Midge is back with another progressive record that gained some great support from many big progressive house / trance DJ's! you can listen here or follow THIS LINK to listen / purchase anywhere of your choice.
Well it's release day and the 'Got What It Takes' EP is available on a two week exclusive to Beatport and then all stores after that! This EP is all about stripped back club music.
'Got What It Takes' is an underground techno number which sports a rumbly sub bass and top acid lines. This already picked up attention from the likes of Sam Paganini when it was once a free download! For that reason we gave it a home. 'Hindsight' leans more towards the house music spectrum, with house drums and sparse synth stabs, accompanied by a chunky bass sure to get you moving!! check them out below:
Well here it is, our very first release! Midge offers up some beautiful progressive house for your ears! The track builds slowly and progresses to a beautiful melody.
Available across all platforms now; BUY HERE.
If you are interested in all things progressive house, techno, melodic techno and dance music in general then give our socials a follow from the icons on the webpage.
Bass.....the most important element of a dance record? Probably.
Naturally, different genres of music call for different styles of bass. Dubstep calls for loud growling basslines, techno calls for a more rumbly and sub focused bass. Each to their own.
Bass is subjective and changes in relation to the genre of music you make, however, these tips should apply to all genres of dance music. Mixing a live bass sound is slightly different, but here at North Origin, we are all about dance music, so lets have a look.
Another quick tips post, this time the topic is EQ, arguably the most important mixing tool.
In my opinion, EQ is the second most important aspect of a mix, behind setting your volume faders. EQ really allows us to carve out space and craft sounds to fit together.
EQ is generally subjective, however, it is very easy to over do and often people set very unnecessary EQ plugins. EQ doesn't have to be complex and if you find yourself making outrageous changes to your EQ, it is probably better to just change the original sound.
Lets dive into some tips:
Another 'tips' post today and the topic is Compression.
In this day and age, if you produce dance music then there really isn't any need for external compressors. Yes, you can get a great sound by using hardware compressors, however, you can also get great results using software compressors, which is far easier. Software has come a long way, so if you aren't familiar with how to operate hardware compressors then don't worry about it.
Here are some tips when it comes to using compression in your productions.
Time for a post about stereo imaging and width. Now I will not cover absolutely everything in this post about how to achieve a wider sound but hopefully there will be some useful information in this small post. Many people seem to get hung up on making their sound super wide. Yes, wide is good but remember you can go too wide. Remember not to make everything wide....this is dance music after all and you want most of the energy coming straight through the middle and hitting your listener smack in the face. Finding the right balance between wide sounds and narrow / mono sounds is key.
One of the main reasons for grouping your drums is that it allows you to process that group as a whole. There are many benefits to this and adding processing to a whole group makes the individual elements in the group slightly more cohesive. In other words they work together better.
Lets have a quick look at grouping drums.
This is a really interesting video for any independent artists out there. Although it was posted a few years ago, many of the principles still apply today.
It gives good insight into how independent artists can promote their music and enforce good marketing practices. The principles can apply if you are a band, solo artist or even a producer / DJ.
Click read more for the video.
Reverb is used on absolutely every production. There is no way you can make a track, especially in the realm of dance music, without using reverb. Every sound we hear has some form of reverb on it, therefore, adding it to your productions makes them sound more natural. Think about any sound you hear in real life, you hear the sound waves that go into your ear and also sound waves which are reflecting off other surfaces before going into your ears. So with that in mind, if you produced a track with no reverb, then it will sound very unnatural and dry.
Lets have a look at some quick tips for reverb.